If the chosen images are in your authority or area of influence, this is a way to structure the layout of your writings accordingly. Once you have chosen your approach of writing, you can choose in formats to arrange your images.
For example, in a sequential way, you may want to write on the general photo and then categorize them into sub headings and go in detailed each extracted focus. The plus point of his method is that you need not refer in words your writings but the arrangement of images have subtlely accomplished that. One just need to flow the description and immerse the readers thoroughly.
Another example can be images arranged in the map all on one page and your writings should be clear and brief to optimize the space for each allocation. This will require your personal skill and flair to make as informative and interesting the writings.
The list can go on by just using picture to format your writings artfully. Have fun...
Showing posts with label Writing Architecture. Show all posts
Showing posts with label Writing Architecture. Show all posts
Writing Architecture: Guideline 4: Connect the culture
It is often a cold description of architecture when they are described as something aloof, stand alone or rare. Very often architecture is described as so.
So the way to warm things up is to connect it with the culture or way of life of the readers addressed to. This way, architecture is alive and a part of their lives and will include them in their lives. So the important ingredient to address the readers warmly is realized in this way.
So the way to warm things up is to connect it with the culture or way of life of the readers addressed to. This way, architecture is alive and a part of their lives and will include them in their lives. So the important ingredient to address the readers warmly is realized in this way.
Writing Architecture: Guideline 3: Why Read This?
There is a question the writings must answer in one way or another, that is why read this writing?
Only then can the writing be beneficial to the reader or the immediate surroundings one is in.
With this, the focus of the camp is the central site .
Only then can the writing be beneficial to the reader or the immediate surroundings one is in.
With this, the focus of the camp is the central site .
Writing Architecture: Guideline 2: Contrast Famous Pieces
To impress and call upon the reader's attention at first sight, do mention the names of famous architectures, with just simple indications on the points you want to compare and contrast.
Since your readers are both experts and novices, critiquing too long or much will leave the experts yawning and novices uninterested as the topic of concern is not on the classics. After a brief comparison, take the platform to write on the architecture of concern and readers can visualize the similarities and differences on the points touched.
So the advantage of following this guideline will be establishing links with history and introducing in contemporary context these points of old to bridge people over and into the piece of writing.
Since your readers are both experts and novices, critiquing too long or much will leave the experts yawning and novices uninterested as the topic of concern is not on the classics. After a brief comparison, take the platform to write on the architecture of concern and readers can visualize the similarities and differences on the points touched.
So the advantage of following this guideline will be establishing links with history and introducing in contemporary context these points of old to bridge people over and into the piece of writing.
Writing Architecture: Guideline 1: A flair
Something to do before you embark on the exciting writing journey of images of architecture. Do very fast flips on words, phrases and expressions that capture your attention from as many architecture sources. Note these words and their meanings.
Now you have a bag of bullets to be an archi writer. You may want to format the flow of your writing in a certain rhythm like an orchestrated list of say physical description of color, lighting, shape and material, followed by the mood invoke for every type of physical describing item. Then follow the tempo set by the format to ensure that all are included inside, making the writing an interestingly creative ride.
Now you have a bag of bullets to be an archi writer. You may want to format the flow of your writing in a certain rhythm like an orchestrated list of say physical description of color, lighting, shape and material, followed by the mood invoke for every type of physical describing item. Then follow the tempo set by the format to ensure that all are included inside, making the writing an interestingly creative ride.
